Date of source: Thursday, December 13, 2007
AWR report on Christian missionary work in Muslim countries, taking Korean Christian volunteers or missionaries as an example.
Discussion of Islamic Endowments in Egypt.
Several Arab media outlets showed their anger about the American Coptic Union calling Pope Shenouda a powerless Pope.
Date of source: Tuesday, December 4, 2007
Critique on the claim of a Copt in Germany that only Copts are real Egyptians.
Reference to a review with interesting comments on the freedom of Egyptian press.
Date of source: Monday, December 3, 2007
German radio contacted AWR for a radio interview about the Holy Family tradition at the Holy Virgin Church in Maadi.
Two Egyptian legal experts have drafted a proposed law to regulate conversions.
Date of source: Thursday, November 29, 2007
Report and comments on the case of Fibi Ṣalīb on the topic of stories of conversion.
Comments on Dr. FāṬimah Sayyid Ahmad’s statement on the need to respond quickly to rumors.
Date of source: Thursday, April 3, 2008
Fadel Soliman refutes Geert Wilder’s suppositions presented in his film ’Fitna.’ The following article provides Soliman’s critique on the manipulation employed by Wilder in his film.
Date of source: Wednesday, March 26, 2008
Text presented to the Dutch delegation consisting of representatives of Dutch churches and Muslim organizations at the Egyptian Press Syndicate.
Date of source: Sunday, March 30, 2008
Dr. Wageih comments on Geert Wilders inaccurate interpretation of Qur’ānic verses in his film ’Fitna.’
Date of source: Thursday, April 24, 2008
Drs. Cornelis Hulsman refers to article 19 in this issue that again deals with the sensitivities surrounding conversion.
Date of source: Thursday, April 3, 2008
An article presenting clarification on a number of Qur’ānic verses referenced by Geert Wilders in his film ’Fitna.’
Date of source: Monday, March 17, 2008
The following presents a response from a number of Dutch organizations regarding Geert Wilders’ film ’Fitna,’ stressing their rejection thereof and the fact that this film represents the mindset of only a minimal percentage of the Dutch population.